Vol. 3 No. (Special Issue) (2022)

View Vol. 3 No. (Special Issue) (2022)

(Special Issue: Cinema and Architecture)

Published: 2022-12-30

Full Issue

Cinema and Architecture

What I saw in Venice - Biennale 2021

François Penz

DOI: https://doi.org/10.47818/DRArch.2022.v3si067

PDF
Page 01-08 | Abstract Views 316 | PDF Downloads 311
DOI: https://doi.org/10.47818/DRArch.2022.v3si067
A reflection on cinematic architecture through light, poetic imagery, narrative and social issues

Keiichi Ogata

DOI: https://doi.org/10.47818/DRArch.2022.v3si068

PDF
Page 09-28 | Abstract Views 1058 | PDF Downloads 780
DOI: https://doi.org/10.47818/DRArch.2022.v3si068
Sustaining cultures through cinematic space – the historical continuance of art and architectural traditions in 20 C Film

Graham Cairns

DOI: https://doi.org/10.47818/DRArch.2022.v3si069

PDF
Page 29-48 | Abstract Views 364 | PDF Downloads 378
DOI: https://doi.org/10.47818/DRArch.2022.v3si069
From real spaces to virtual spaces: The metaverse and decentralized cinema

Murat Aytas, Aytekin Can

DOI: https://doi.org/10.47818/DRArch.2022.v3si070

PDF
Page 49-59 | Abstract Views 1071 | PDF Downloads 891
DOI: https://doi.org/10.47818/DRArch.2022.v3si070
A survey of the representation of modern architecture in the cinema

Christopher S. Wilson

DOI: https://doi.org/10.47818/DRArch.2022.v3si071

PDF
Page 60-65 | Abstract Views 1234 | PDF Downloads 806
DOI: https://doi.org/10.47818/DRArch.2022.v3si071
Architectural evolution of space settlements in cinema and television

Salih Ceylan

DOI: https://doi.org/10.47818/DRArch.2022.v3si072

PDF
Page 66-78 | Abstract Views 418 | PDF Downloads 469
DOI: https://doi.org/10.47818/DRArch.2022.v3si072
Wadi Rushmia: The variegated histories of a lost nature and community

Liat Savin Ben Shoshan

DOI: https://doi.org/10.47818/DRArch.2022.v3si073

PDF
Page 79-96 | Abstract Views 481 | PDF Downloads 290
DOI: https://doi.org/10.47818/DRArch.2022.v3si073
A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

Hamid Khalili, AnnMarie Brennan

DOI: https://doi.org/10.47818/DRArch.2022.v3si074

PDF
Page 97-112 | Abstract Views 588 | PDF Downloads 441
DOI: https://doi.org/10.47818/DRArch.2022.v3si074
Existential themes and motifs in Andrei Tarkovsky’s films: The notions of space and transcendence

Yannis Mitsou

DOI: https://doi.org/10.47818/DRArch.2022.v3si075

PDF
Page 113-121 | Abstract Views 1283 | PDF Downloads 1243
DOI: https://doi.org/10.47818/DRArch.2022.v3si075
Justification of panopticon in superhero movies: The Batman Movie

Azime Cantaş, Aytekin Can

DOI: https://doi.org/10.47818/DRArch.2022.v3si076

PDF
Page 122-135 | Abstract Views 1223 | PDF Downloads 1148
DOI: https://doi.org/10.47818/DRArch.2022.v3si076
‘Is it me, or is it getting crazier out there?’: The psyche of the interior in Joker: An analysis of psychological space in Todd Phillips Joker (2019) through collage

Cliona Brady, Gul Kacmaz Erk

DOI: https://doi.org/10.47818/DRArch.2022.v3si077

PDF
Page 136-159 | Abstract Views 1276 | PDF Downloads 874
DOI: https://doi.org/10.47818/DRArch.2022.v3si077
Knowledge and power relations: In a migration storytelling, Derviş Zaim's Film Flashdrive

Işıl Baysan Serim

DOI: https://doi.org/10.47818/DRArch.2022.v3si078

PDF
Page 160-169 | Abstract Views 636 | PDF Downloads 285
DOI: https://doi.org/10.47818/DRArch.2022.v3si078