Vol. 3 No. (Special Issue) (2022)

View Vol. 3 No. (Special Issue) (2022)

(Special Issue: Cinema and Architecture)

Published: 2022-12-30

Full Issue

Cinema and Architecture

What I saw in Venice - Biennale 2021

François Penz

DOI: https://doi.org/10.47818/DRArch.2022.v3si067

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Page 01-08 | Abstract Views 297 | PDF Downloads 289
DOI: https://doi.org/10.47818/DRArch.2022.v3si067
A reflection on cinematic architecture through light, poetic imagery, narrative and social issues

Keiichi Ogata

DOI: https://doi.org/10.47818/DRArch.2022.v3si068

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Page 09-28 | Abstract Views 951 | PDF Downloads 718
DOI: https://doi.org/10.47818/DRArch.2022.v3si068
Sustaining cultures through cinematic space – the historical continuance of art and architectural traditions in 20 C Film

Graham Cairns

DOI: https://doi.org/10.47818/DRArch.2022.v3si069

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Page 29-48 | Abstract Views 344 | PDF Downloads 338
DOI: https://doi.org/10.47818/DRArch.2022.v3si069
From real spaces to virtual spaces: The metaverse and decentralized cinema

Murat Aytas, Aytekin Can

DOI: https://doi.org/10.47818/DRArch.2022.v3si070

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Page 49-59 | Abstract Views 1003 | PDF Downloads 845
DOI: https://doi.org/10.47818/DRArch.2022.v3si070
A survey of the representation of modern architecture in the cinema

Christopher S. Wilson

DOI: https://doi.org/10.47818/DRArch.2022.v3si071

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Page 60-65 | Abstract Views 1129 | PDF Downloads 741
DOI: https://doi.org/10.47818/DRArch.2022.v3si071
Architectural evolution of space settlements in cinema and television

Salih Ceylan

DOI: https://doi.org/10.47818/DRArch.2022.v3si072

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Page 66-78 | Abstract Views 389 | PDF Downloads 402
DOI: https://doi.org/10.47818/DRArch.2022.v3si072
Wadi Rushmia: The variegated histories of a lost nature and community

Liat Savin Ben Shoshan

DOI: https://doi.org/10.47818/DRArch.2022.v3si073

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Page 79-96 | Abstract Views 456 | PDF Downloads 262
DOI: https://doi.org/10.47818/DRArch.2022.v3si073
A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

Hamid Khalili, AnnMarie Brennan

DOI: https://doi.org/10.47818/DRArch.2022.v3si074

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Page 97-112 | Abstract Views 536 | PDF Downloads 408
DOI: https://doi.org/10.47818/DRArch.2022.v3si074
Existential themes and motifs in Andrei Tarkovsky’s films: The notions of space and transcendence

Yannis Mitsou

DOI: https://doi.org/10.47818/DRArch.2022.v3si075

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Page 113-121 | Abstract Views 1153 | PDF Downloads 929
DOI: https://doi.org/10.47818/DRArch.2022.v3si075
Justification of panopticon in superhero movies: The Batman Movie

Azime Cantaş, Aytekin Can

DOI: https://doi.org/10.47818/DRArch.2022.v3si076

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Page 122-135 | Abstract Views 1125 | PDF Downloads 1095
DOI: https://doi.org/10.47818/DRArch.2022.v3si076
‘Is it me, or is it getting crazier out there?’: The psyche of the interior in Joker: An analysis of psychological space in Todd Phillips Joker (2019) through collage

Cliona Brady, Gul Kacmaz Erk

DOI: https://doi.org/10.47818/DRArch.2022.v3si077

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Page 136-159 | Abstract Views 1164 | PDF Downloads 820
DOI: https://doi.org/10.47818/DRArch.2022.v3si077
Knowledge and power relations: In a migration storytelling, Derviş Zaim's Film Flashdrive

Işıl Baysan Serim

DOI: https://doi.org/10.47818/DRArch.2022.v3si078

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Page 160-169 | Abstract Views 616 | PDF Downloads 263
DOI: https://doi.org/10.47818/DRArch.2022.v3si078