Tradition and modernity on fundamentals and diversities of Mediterranean architecture

Authors

  • Hugo Fernandes Assist. Prof. Dr. Universidade Lusófona, Portugal

    Hugo Nazareth Fernandes is a research member of Arch. ID research center and Assistant Professor in the Department of Architecture and Urbanism at ULHT - Lusófona University of Lisbon. 2nd PRIZE ICAR CORA-2011 / International Council for Architectural Research - ICAR-CORA PRIZE 2011 for Best Doctoral Thesis.

DOI:

https://doi.org/10.47818/DRArch.2021.v2i1009

Keywords:

diversity, fundamentals, modernity, tradition, Mediterranean

Abstract

Firstly, this article focuses on the origins of modern architecture in addition to the simple binomial academism/modernism that sometimes gives little clarification about the aesthetic, formal or typological options of southern European countries. By widening the spectrum of cultural, mythical and ideological influences at the beginning of the 20th century, other insights are possible, not only with regard to the modern period, but also in the understanding of some paths of Mediterranean contemporary production. In short, this article aims to raise two main questions and how can they be related: 1) Does the identity of Mediterranean architecture come from common fundamentals or from a richness of contrasts and diversities? 2) Can these fundamentals and diversities become “operative” in architectural/urban design?  And how do they respond to the globalization phenomena and the possibility of real sustainable achievements?

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Published

2021-04-29

How to Cite

Fernandes, H. (2021). Tradition and modernity on fundamentals and diversities of Mediterranean architecture. Journal of Design for Resilience in Architecture and Planning, 2(1), 17–27. https://doi.org/10.47818/DRArch.2021.v2i1009

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Section

Research Articles