Who is designing for whom? A critical design studio approach

Authors

  • Alperen Meral image/svg+xml Bingöl University

    Alperen Meral graduated from Karadeniz Technical University, Faculty of Forestry, Department of Landscape Architecture in 2005. He received his Ph.D. degree from Düzce University. He is research assistant in Landscape of Architecture, Faculty of Agriculture in Bingöl University.

  • Emrah Yalçınalp image/svg+xml Karadeniz Technical University

    Emrah Yalçınalp graduated from Karadeniz Technical University, Department of Landscape Architecture in 2000. He received his MSc and Ph. D. degree in the same university. Working as an Associate Professor in the Landscape Architecture Department of Karadeniz Technical University, Yalçınalp has worked as an instructor, designer and researcher at different schools such as Mississippi State University, Okayama University, Royal Botanic Gardens at Kew, Florida International University.

  • Özgür Demirci image/svg+xml Karadeniz Technical University

    Özgür Demirci graduated from Karadeniz Technical University, Department of Landscape Architecture in 2011. He completed his master’s degree at the same university in 2018. He started his Ph.D. studies at Karadeniz Technical University, Institute of Science and Technology, Department of Landscape Architecture in 2019. He still continues his research in the field of Landscape Architecture, Plant Materials and Cultivation at Karadeniz Technical University.

DOI:

https://doi.org/10.47818/DRArch.2022.v3i3066

Keywords:

environmental design and project, landscape architecture education, landscape studio

Abstract

Studio studies can easily be defined as the cornerstone of the discipline in departments giving architectural education. Although the educational process differs in educational institutions and among the educators, its main purpose is always to give the best experience on design process to the students and to bring together different space designs and functions with certain criteria. Although it is often stated to the contrary, it is generally difficult to get the necessary support from the social sciences in studio work. For students, considering the design with sociological data and creating a concept can be perceived as a waste of time, since the user experience cannot be observed in a project that will not be implemented in the real life and it will often create differences that cannot be measured. Dealing with form, color, and material instead can help impress teachers and other students in the studio much more easily. Students often act pragmatically and choose the method that promises them a higher score in a shorter way, as creating a charming product in studio will seem more powerful while a deep research on the sociologic and ecologic background cannot reflect themselves easily on a render. Although very different user profiles were determined for the same area at the beginning of the design process, it may cause that the resulting products cannot create enough characteristic differences in the end. The aim of this research is to examine whether the projects differ in terms of functionality regarding their different user profiles determined by the students, based on the studio work of Karadeniz Technical University, Department of Landscape Architecture within the scope of Environmental Design and Project II course. As a result of the examination, it has been determined that although the designer and customer profile are different, the morphological differences in designs are not perceived very easily, which means the methodology in the studios should be examined again.

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Published

2022-12-21

How to Cite

Meral, A., Yalçınalp, E., & Demirci, Özgür. (2022). Who is designing for whom? A critical design studio approach. Journal of Design for Resilience in Architecture and Planning, 3(3), 418–424. https://doi.org/10.47818/DRArch.2022.v3i3066

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Section

Research Articles